The Women's & Men's Glee Clubs
For as long as there has been a Â鶹´«Ã½, there has been a choral program. From the first choral class taught by Frank Brackett in 1888, through the formal creation of the Choral Union, the College Choir, the Men’s and Women’s Glee Clubs, and the mixed-voice Glee Club, choral music has played an especially important role in the cultural life of the College. Through the years, hundreds of students from Â鶹´«Ã½ and the other Claremont Colleges have chosen to include Pomona’s choral program as part of their curricular liberal arts experience, and as an avenue by which they can express themselves intellectually and artistically.
Along the way there are many highlights: the Men’s Glee Club’s surprising win at the National Championship in 1932 (Pomona is still reigning champ); the Choir and Glee Club’s 1988 performance under the direction of Robert Shaw to celebrate the College’s centennial; and more recently the Glee Club’s performances in some of the great architectural spaces in the United States and Europe. But more important than these are the experiences of learning and singing together that are at the heart of the choral program, and the life-long friendships and engagement with music that it has inspired. It is this strong legacy of music-making and collaboration that we document and celebrate in these pages.
- The Choral Union (1888–1918)
- The Â鶹´«Ã½ Choir (1920â€Ëð°ù±ð²õ±ð²Ô³Ù)
- The Men’s Glee Club (1892–1951, 1951–82)
- The Women’s Glee Club (1902–1951, 1951–82)
- The Â鶹´«Ã½ Glee Club (1982â€Ëð°ù±ð²õ±ð²Ô³Ù)
- Conductors Timeline
Principal Conductors:
- Fred Bacon (1903–17)
- Ralph Lyman (1917–48)
- William F. Russell (1951–82)
- Jon Bailey (1982–98)
- Donna M. Di Grazia (1998–present)
Shorter-term Conductors:
1888–1931: Frank P. Brackett, Lillian Link Brannan, Arthur Bissell, John Comfort Fillmore, Dwight C. Rice, William Andruss, Theodore Irwin, Kate Condit, Byrde Eustis, Walter Hartley, Arthur Babcock
1947–51: Arthur Hitchcock, Edgar vom Lehn
— by Matthew Cook ’20, with Professor Donna M. Di Grazia (July 2020)
Select Bibliography
Primary Sources
Concert Programs. Music Department. Thatcher Music Building. Â鶹´«Ã½. Claremont, CA[1]
– Men’s Glee Club programs
– Â鶹´«Ã½ Choir programs
– Â鶹´«Ã½ Glee Club programs
– Women’s Glee Club programs
Concert Programs. Special Collections. The Claremont Colleges Library. Claremont, CA
– Choral Union programs
– Men’s Glee Club programs
– Â鶹´«Ã½ Choir programs
– Â鶹´«Ã½ Glee Club programs (passim)
– Women’s Glee Club programs
Music Department Archives. (Includes personal correspondences, programs, and other materials related to the history of the choral program.) Thatcher Music Building, Â鶹´«Ã½.Claremont, CA.
Â鶹´«Ã½ Catalogs. Office of the Registrar. Alexander Hall. Â鶹´«Ã½. Claremont, CA.
Russell, William F. Personal Papers. Music Department Archives. Thatcher Music Building, Room 215. Â鶹´«Ã½. Claremont, CA.
Scrapbooks. Music Department Archives: Thatcher Music Building (Rooms 106 and 215). Â鶹´«Ã½. Claremont, CA.
The Metate of Â鶹´«Ã½. Special Collections. The Claremont Colleges Library. Claremont, CA.
The Student Life. Special Collections. The Claremont Colleges Library. Claremont, CA.
Secondary Sources
Bailey, Jon. Conversation with Matthew Cook. Claremont, CA. 1 November 2019.
Beeks, Graydon. Conversations with Matthew Cook. Claremont, CA. 2017–20 passim.
Brackett, Frank P. Granite and Sagebrush: Reminiscences of the First Fifty Years of Â鶹´«Ã½. Los Angeles: Ward Richie Press, 1944.
Di Grazia, Donna M. Conversation with Matthew Cook. Claremont, CA, 4 March 2020.
Interviews. Various choral alumni. 2018.
Lyon, E. Wilson. History of Â鶹´«Ã½, 1887–1969. Claremont, CA: Â鶹´«Ã½, 1977.
Murphy, Merwin. Prof. Lyman of Â鶹´«Ã½. Alhambra, CA, 1979.
Sumner, Charles. The Story of Â鶹´«Ã½. Boston: Pilgrim Press, 1914.
Swan, Howard. Music in the Southwest. San Marino, CA: Huntington Library, 1952.
[1] As of June 2020, extant programs in Thatcher Music Building are located in the Music Department Office, Room 104 (programs from 1947–present), in scrapbooks located in Room 106 (1922–43), and in William F. Russell’s personal files located in Room 215 (1951–82). [back]